Brooklyn-based artist Alyssa Monks is a figurative painter, blurring the line between abstraction and realism. “Using filters such as glass, vinyl, water, and steam, I distort the body in shallow painted spaces. These filters allow for large areas of abstract design - islands of color with activated surfaces - while bits of the human form peak through. In a contemporary take on the traditional bathing women, my subjects are pushing against the glass “window”, distorting their own body, aware of and commanding the proverbial male gaze. Thick paint strokes in delicate color relationships are pushed and pulled to imitate glass, steam, water and flesh from a distance. However, up close, the delicious physical properties of oil paint are apparent. Thus sustaining the moment when abstract paint strokes become something else. When I began painting the human body, I was obsessed with it and needed to create as much realism as possible. I chased realism until it began to unravel and deconstruct itself, I am exploring the possibility and potential where representational painting and abstraction meet - if both can coexist in the same moment.” Monks’s paintings have been the subject of numerous solo and group exhibitions, and her work is represented in public and private collections.
© All images courtesy of the artist
Unlike the majority of public spaces, the beach is one of those spots where most people are comfortable bearing all.
In Comfort Zone, photographer Tadao Cern captures the moment when sunbathers have completely fallen asleep.
via Feature Shoot
CEMENT ECLIPSES @ CHIAPAS MEXICO
Artist Isaac Cordal (tumblr / facebook) - “With the simple act of miniaturization and thoughtful placement, Isaac Cordal magically expands the imagination of pedestrians finding his sculptures on the street. Cement Eclipses is a critical definition of our behavior as a social mass. The art work intends to catch the attention on our devalued relation with the nature through a critical look to the collateral effects of our evolution. With the master touch of a stage director, the figures are placed in locations that quickly open doors to other worlds. The scenes zoom in the routine tasks of the contemporary human being”.